Current Work > P.S. Series

Progression Studies (P.S.) #45
Mixed Media on Paper
4" x 6"
2026
Progression Studies (P.S.) #14
Mixed Media on Paper
6" x 4"
2026
Progression Studies (P.S.) #27
Mixed Media on Paper
4" x 6"
2026
Progression Studies (P.S.) #3
Mixed Media on Paper
6" x 4"
2026
Progression Studies (P.S.) #104
Mixed Media on Paper
4" x 6"
2026
Progression Studies (P.S.) #65
Mixed Media on Paper
4" x 6"
2026
Progression Studies (P.S.) #35
Mixed Media on Paper
4" x 6"
2026
Progression Studies (P.S.) #109
Mixed Media on Paper
6" x 4"
2026
Progression Studies (P.S.) #24
Mixed Media on Paper
4" x 6"
2026
Progression Studies (P.S.) #69
Mixed Media on Paper
4" x 6"
2026
Progression Studies (P.S.) #24
Mixed Media on Paper
4" x 6"
2026
Untitled Progression Studies (P.S.) #6
Mixed Media on Paper
4" x 6"
2025
Progression Studies (P.S.) #16
Mixed Media on Paper
4" x 6"
2026
Progression Studies (P.S.) #76
Mixed Media on Paper
4" x 6"
2026
Progression Studies (P.S.) #55
4" x 6"
Mixed Media on Paper
2026
Progression Studies (P.S.) #61
Mixed Media on Paper
4" x 6"
2026
Progression Studies (P.S.) #13
Mixed Media on Paper
4" x 6"
2025
Progression Studies (P.S.) #57
Mixed Media on Paper
4" x 6"
2026
Progression Studies (P.S.) #1
Mixed Media on Paper
4" x 6"
2025
Progression Studies (P.S.) #107
Mixed Media on Paper
4" x 6"
2026
Progression Studies (P.S.) #71
Mixed Media on Paper
4" x 6"
2026
Progression Studies (P.S.) #23
Mixed Media on Paper
4" x 6"
2026
Progression Studies (P.S.) #75
Mixed Media on Paper
6" x 4"
2026
Progression Studies (P.S.) #68
Mixed Media on Paper
4" x 6"
2026
Progression Studies (P.S.) #41
Mixed Media on Paper
4" x 6"
2026

Progression Studies (P.S.) is a series of postcard-sized drawings that function as a visual postscript to my broader practice, an ongoing secondary conversation running alongside larger works. These studies capture immediate, intuitive responses to themes I am exploring, revealing candid and unresolved ideas before they are refined or completed.

Working small allows me to prioritize process over product and move deliberately into experimental territory. Combining graphite, pen, and acrylic ink with solvent transfers, I integrate complex layers into drawings that operate as fragments of a thematic dialogue, a reminder that real breakthroughs often occur in the margins of studio practice. This experimental approach is deeply connected to my work as an educator, where the curiosity of my advanced drawing students continuously inspires me to embrace new and intuitive ways of seeing.